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Hallmark
of a Western Filmmaker
Lincoln
Lageson is that rare breed—a
television producer with the heart of a
cowboy.
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By Dan Gagliasso
I first met Lincoln Lageson in 1996
when he was a coproducer on the John Milius-directed
epic miniseries
Rough Riders and I was Milius’s historical
consultant. In L.A. in the film business if you see
a fella wearing Wranglers with enough length that
the bottoms stack up as they should on his boots,
there’s a good chance he’s probably a
cowboy, a stuntman, or both. Since I’d rodeoed
some, and this Lageson character was an easy-going-but-get-it-done
type, we circled each other a little while, but soon
became fast friends.
I
was surprised to find out that Lageson was not
only our set producer but also
someone who could
square his way around the business end of a horse
just fine. Now a set producer just might be the hardest-working
producer on a picture, and that would go double on
Westerns, where livestock, running gear, horse wranglers,
and some actors who think they can ride better then
they really can are a big part of getting the picture
made. It’s a job that has earned him the respect
and friendship of everyday ranchers and cowboys,
top rodeo hands like Garry Leffew, Bob Tallman, Mike
Stevens, and Allan Jordon, as well as music stars
like Randy Travis and Michael Martin Murphey.
I
was impressed with Lincoln’s straight-up
Western attitude right from the start. I watched
him deal with everything from outsized thespian egos
to filmland battlefield logistics, including stunts
and second-unit action. I’ve seen him turn
in a more-than-passable acting role playing the part
of William Randolph Hearst’s assistant. When
really professional Western film types like Sam Elliot.
Buck Taylor, and legendary head wrangler Jack Lilley
all sing Lincoln’s praise, you know this is
the kind of fella with whom you can ride the rim
of the high lonesome country.
Since the early 1990s Lageson has
worked on miniseries like Dead Man’s Walk and
Streets of Laredo, both based on the best-selling
novels by Larry McMurtry,
and the $50 million feature film Texas Rangers, as
well as the modern ranch- and rodeo-themed Everything
That Rises, which marked the directorial debut
of actor Dennis Quaid. But it’s been his work
on a handful of Hallmark Westerns, including Hard
Ground and Love’s Enduring Promise, that has
been his biggest impact in the business...
Find
the rest of this exciting article and more in the
July/August 2005 issue of American Cowboy magazine...
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