

The
streets of Tombstone aren't lawless today. PHOTOGRAPHY
BY JOHNNY D. BOGGS
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Travel
Arizona
Tombstone
was the "Town Too Tough to Die."
By
Johnny D. Boggs
The
name Earp conjures images of lawmen, but
sources agree that Warren Earp, Wyatt’s baby brother,
was a ne’er-do-well. Although the Earps became legend in Arizona (and
two died here), only one is buried in the state. In July 1900, Warren came
out the
loser in a shooting scrape at the Headquarters Saloon and is planted in the
Old Willcox Cemetery. Speaking of graves, the legendary stallion Koko is buried
at
Willcox’s Historic Railroad Park. Koko belonged to no outlaw, of course,
but one of the great singing movie cowboys, a Willcox native. You can find
out everything you need to know at the Rex Allen Museum and Willcox Cowboy
Hall of
Fame, especially during the annual Rex Allen Days in October.
From
Willcox, I follow I-10 west to Benson, which has
its own Western influence, especially
during
its Territorial Days celebration the second weekend in February. North of
town is Gammons Gulch, a Western town movie set
open daily September through May.
But if there’s one Arizona town identified with outlaws
and lawmen, it’s south of Benson on Arizona 80.
I’ve reached the “Town
Too Tough To Die.”
Friends
warned miner Edward L. Schieffelin that he’d only find his grave in the San Pedro Valley,
but instead he discovered prime silver outcroppings in 1877, and Tombstone
was born.
By 1880, the town’s population
has risen to 10,000, attracting a who’s who of Westerners: John Clum,
Curly Bill Brocius, Doc Holliday, Big Nose Kate Elder, Johnny Ringo, Buckskin
Frank
Leslie, Billy Claiborne, the Clantons, the McLaurys and, of course, the Earp
brothers.
On
October 26, 1881, Wyatt, Virgil, and Morgan Earp,
joined by Doc Holliday, shot it out with the Clantons
and McLaurys. Twenty-seven seconds
later, Billy Clanton, Tom McLaury and Frank McLaury were dead, Virgil
and Morgan were
severely wounded, and The Gunfight at the
O.K. Corral (where it really wasn’t) was hurled into the annals of Wild
West folklore and history.
Some
400,000 tourists visit Tombstone each year, to
see that legendary gunfight (and many others) reenacted.
Billy Clanton and
the
McLaury
brothers are buried at Boot Hill, where you’ll also
find Lester Moore’s witty epitaph (Here lies Lester Moore, Four Slugs from
a .44, No Les, No More). Other highlights include The Bird Cage Theatre, Crystal
Palace Saloon, and, for a law-and-order fix, the Tombstone Courthouse State Historic
Park. Check out the Tombstone Western Heritage Museum while in town and hang
your hat for a
night at Curly Bill’s Bed and Breakfast.
From
Tombstone, I head southwest on Arizona 82
to the bordertown of Nogales. It’s not so much outlaw country, but Texas
Judge Roy Bean got his boots made here. Okay, not really, but the dean of Western
bootmakers, Paul Bond (www.paulbondboots.com), did make boots for Paul Newman
in The Life and Times of Judge Roy Bean. He has also outfitted outlaws such as
Willie Nelson, Charlie Daniels, Clint Eastwood, and Sam Elliott and is still
going strong after nearly 60 years in the business.
Now
I’ll boot-scoot north on I-17 to Tucson.
Territorial
capital from 1867-1877, Tucson has seen plenty
of outlaws. Legend has it that Wyatt
Earp’s vendetta began at the train depot here when he killed Frank Stilwell.
Most outlaws, however, met their screen demise at Old Tucson Studios. Originally
built for the 1940 Jean Arthur-William Holden movie Arizona, Old Tucson has served
many Westerns. It was home base for the High Chaparral TV series as well as big-screen
classics such as Winchester ’73, Last Train from Gun Hill, El Dorado and
Gunfight at the O.K. Corral. A 1995 fire destroyed much of the set, but Old Tucson
Studios reopened in 1997. They don’t film as many Westerns as they used
to, but the set remains a popular tourist draw.
So
does La Fiesta de los Vaqueros Tucson Rodeo, an
institution since 1925. Check out the rodeo museum
and its great
collection of old wagons,
and don’t forget the Fort Lowell Museum, Sosa Carillo-Fremont House, or,
for family Old West
fun and dining, the Hidden Valley Inn. If you’re ready to cowboy up, Tanque
Verde Ranch is one of
Arizona’s most popular dude ranches.
After
Tucson, I head over to Scottsdale and Phoenix.
Scottsdale has grown from cowtown to art mecca,
but
there’s certainly a bit of the Old West left, especially during the annual
Parada
del Sol rodeo and “world’s
longest rodeo parade.” National Festival of the West (www.festivalofthewest.
com, March 16-19, 2006) is another world-class Old West celebration featuring
movie stars, music stars, writers, artisans and, uh, outlaws. Keep in mind that
the always-popular Rawhide Western Town and Steakhouse (www.rawhide.com) which
itself has been moved to Wild Horse Pass in the Gila River Indian Community,
South of Phoenix.
What
isn’t moving is the Pioneer Arizona Living History Village in north
Phoenix. One of the West’s best living history museums, the village recreates
territorial Arizona in the 1800s with 30 historic buildings, including a Prescott
opera hall where Lily Langtry once performed, and reenactors portraying blacksmiths,
carpenters, Victorian ladies, et al.
For
many outlaws, the trail in Arizona headed west
to the end of the line, so
I’ll leave Phoenix for Yuma along dusty Interstate 8.
Eventually,
the arm of the law caught up with those who rode
the outlaw trail, and in Arizona, many
became guests at the Territorial Prison. From 1876
until 1909, when the last remaining convicts were
transferred to a new prison in Florence, Yuma housed
3,069 prisoners, including
29 women. Among Yuma’s most famous outlaw guests
were Buckskin Frank Leslie, Pete Spence, and
Pearl Hart.
American Cowboy November/December 2005.
Hart
and Joe Boot robbed the Globe stagecoach of $431
in 1898, but were caught three days later. Boot
received a 35-year sentence. Hart, the first woman
sent to Yuma, got only five.
Today, Yuma Territorial Prison State Historic
Park recreates what life was like for outlaws and
prison guards. Looking at the granite cellblocks
and chambers, with the heat intense, I can understand
why Yuma earned the reputation of a hellhole,
even though prisoners had regular medical
attention, church services, schooling, and one of
Arizona’s first “public” libraries.
Still,
solitary confinement in a dark chamber remains
intimidating, and the guard tower looks as ominous
as the desert surrounding the Colorado River. As
I walk through these grounds,
I am reminded of a lesson many outlaws learned
the hard way.
Crime
doesn’t pay.
Santa
Fe, N.M.-based Johnny D. Boggs has won the Western
Heritage Wrangler and Spur awards for his Western
fiction. His latest novels include
Camp Ford and East of the Border.
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